reviewed by Pete Boisvert for nytheatre.com
As the audience gathers before the show, we are told that the performance of Striptease Into The Trip To Bahia Blanca begins immediately upon entrance to the theatre. Moving into the darkened space, a figure is vaguely discernible. A woman sits onstage wearing sunglasses and an exotic hat, holding a bouquet of flowers awkwardly to one side. Above her is a projected video image of an unblinking eye, staring out at the audience. An audio track plays a quiet cacophony of voices, guitar music, and various bits of sound collage.
The evening proper consists of two one-act plays by Argentine playwright Griselda Gambaro, both of which center around the character of an actress. We begin with The Trip to Bahia Blanca, where a diva basks in the glow of a successful performance.
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